Artist today must of the Folle Journée de Nantes as the label Mirare, Anne Queffélec is the last half-century, a figure in the most endearing of our landscape at the piano. Daughter of the writer Henri Queffélec, which has always kept away from the media overkill and circuits “official” has never left the scene. Erato has just released a lavish box set, comprising all his recordings for the label between 1970 and 1996. His first disc Scarlatti to its full Ravel and Dutilleux.

LE FIGARO. – Fifty-year career, is something to celebrate?

Anne QUEFFÉLEC. – Yes and no. The figures have not much meaning, unless you have an abacus in the head. What’s more with the music. An adagio is a movement, but when there is, it seems infinitely stretched… Almost eternal.

What do you see in the mirror?

In a good Breton, I will answer you a navigation. A path is drawn from wave to wave, without a career plan specific. …

I log

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