Diaghilev is aimantait to vertigo. It was his drug. Each of its orders to artists for his Ballets russes had to put it at the edge of the abyss. The new show of the Ballet of the Paris Opera, as one of the Ballets de Monte-Carlo the shows at the Théâtre des Champs-Élysées (TCE) in the framework of Transcendanses, point out the abyss under the feet of dancing this game. A creation, it is a dip in the black. “Surprise me,” was the war cry of the Diaghilev ballets russes. Some – and Nijinsky the first – are never income. His art of”impresario” remains crowned masterpieces not so easily détrônables. We see in these two programmes shown in Paris which read some.
The Palais Garnier, a new Faun between the directory, created by Sidi Larbi Cherkaoui in 2009 for Daisy Philips and James O’hara. The Wedding , specially created by the Swedish Pontus Lidberg for the program of the Ballet, also make their entrance. Between the two, Aurélie Dupont has commissioned …
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